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Photography, Prints and Drawings Learn More

Small works on paper often do well in an intimate setting such as the Harwood's gallery for Prints, Drawings and Photographs where the Museum presents changing exhibitions from the permanent collection as well as exhibitions of work on loan.

Drawing and printmaking have had a long and distinguished history in the Taos community. The Museum collection includes important examples by some of the earlier artists including Howard Cook, Joseph Imhof, who brought the first lithography press to Taos, Gene Kloss, Nicolai Fechin, and Walter Ufer.

The post World War II period of the Taos Moderns is represented by the works of Tom Benrimo, Andrew Dasburg, Earl Stroh, and Louis Ribak, while drawings and prints by Larry Calcagno, R.C. Ellis, Ken Price, Joe Waldrum, Vija Celmins, Wes Mills, and Bill Gersh document the work of more recent artists.

Artist: Kenneth Adams
Title: New Mexico Village Under Snow
Date: 1950
Medium: print reproductions
Dimensions: Overall: 16 1/8 x 11 13/16 in. (41 x 30 cm) mat: 16 1/8 x 20 in. (41 x 50.8 cm)
Kenneth Adams United States (1897-1966)
http://kennethadamspaintings.com/

1950
Kenneth Adams
Artist: Robert C. Ellis
Title: Noche Larga
Date: 1965
Medium: Woodcut
Dimensions: Overall: 13 3/8 x 9 1/16 in. (34 x 23 cm)
Robert C. Ellis United States (1923-1979)
Born in Jackson, Texas, R.C. Ellis first began studying art through The University of New Mexico, Taos Summer Field School in 1942, where he met Andrew Dasburg whom he admired greatly. Ellis would have moved to Taos earlier if it had not been for WWII, and his service through the Coast Guard. After the war he returned to studying art at the New School of Social Research in New York in 1949, where he studied Abraham Rattner and Adja Yunkers (later one of the Albuquerque moderns). He would return to New Mexico the following year to study at the University of New Mexico and eventually obtaining his BFA in 1950. Most importantly to Ellis, between 1947 and 1953, he lived intermittently with the Tarahumara Indians of Mexico’s Sierra Madre whose art he greatly admired. His ties to Mexico, which were as strong as those he felt for the Southwest, became even stronger with his 1957 marriage to Rosamaria Ramirez de Alba, a Mexican citizen. He was the only artist among the Taos Moderns to pursue his career in two countries showing his work on both sides of the border. He returned to Taos in 1961 as a resident of the Wurlitzer Foundation and again briefly in 1964, before finally settling in Taos in 1965.
His paintings from the 1940’s onward moved through Cubist and Abstract Expressionist influenced periods. In the 1950’s his interest in the nature of luminosity led him to try for a kind of stained glass effect. In later works he mosved to a more minimalist – type artwork in both his painting and print making.

His first solo exhibition was at Gump’s Gallery in San Francisco California in 1942 and from there is work was exhibited in Washington D.C., Tucson Arizona, Santa Fe NM, Albuquerque NM, Linsborg KS, Amarillo TX, The Panhandle Museum in Carson County TX, The Ellen Noel Art Museum of the Permain Basin, Odessa TX, and at the Harwood Museum of Art in Taos. He exhibited internationally in several galleried in Mexico, as well as at the Museo Nacional de Arte Moderno in Mexico City in 1964.

Ellis applied what he saw in the landscape, interpreting the lessons garnedred from his observations to create his compositions. Particularly by the time of his late work, he captured in paint, ink and other mediums the paradox of the desert, a surface that at first appears simple, but only because it’s true complexity is so well integrated into a flow of light and form. R.C. Ellis died in Albuquerque New Mexico in 1979.

Artist Biography.2015.203 Fine Art http://www.203fineart.com/Robert_C_Ellis.html
1965
Robert C. Ellis
Artist: Edward S. Curtis
Title: North Pueblo at Taos
Date: 1925
Medium: photogravure
Dimensions: 11 3/8" H x 15 1/2 " W
Edward S. Curtis (1868-1952)
Dates in Taos: 1925
1925
Edward S. Curtis
Artist: Louis Ribak
Title: Novelist Joseph Foster
Date: 1966
Medium: Ink on paper
Dimensions: Overall: 20 x 14 in. (50.8 x 35.6 cm)
Louis Ribak (1903-1979)
1966
Louis Ribak
Artist: Douglas Johnson
Title: Offering to My Dead
Date: 1980
Medium: Lithograph
Dimensions: sheet: 30 x 22 1/2 in. (76.2 x 57.1 cm) frame: 33 3/4 x 26 1/8 in. (85.7 x 66.3 cm)
Douglas Johnson United States (b. 1946)
Douglas Johnson's intimate gouache paintings not only reflect the craft of Native American miniaturists but also represent the life and imagery of Northern New Mexico. Born and raised in Portland, Oregon, Johnson is essentially self-taught. His interest in the Southwest began in college when he became a Volunteer in Service to America (VISTA), a government program designed to improve living conditions for the poor in our Country. He was assigned to the Navajo Indian Reservation and quickly fell in love with its rich culture. Although he had been painting and drawing most of his life, it was this experience that inspired him to focus his talents, ultimately resulting in his permanent relocation to New Mexico.

Johnson admits that many of his paintings have their roots in Navajo art. He has, however, been very careful to remain faithful to and nurture the integrity of Native American culture. In fact, he believes that much of his ability comes from his, "first-hand experience living with the Indians and...know[ing] a lot of details of their lives."

Johnson was especially influenced by the work of Harrison Begay of the Dorothy Dunn School. Johnson states, "I started copying his prints. It's why I paint in the flat style, so geometric and linear." Indeed, his small, highly detailed paintings glow with jewel-like colors and hard-edged lines.

In addition to Native American culture, nature has proven to be a significant influence. Johnson learned by, "examining light and shadow, weather, color, flowers, the birds... it's all out there." In fact, as part of an effort to isolate himself and to be closer to Chaco Canyon, the site of many Anasazi ruins, he built a rock house on the side of a cliff near Coyote, New Mexico. The home has no plumbing or electricity. It is Johnson's desire to live as closely to his subject as he possibly can. Much of his own life and environment can be found in his paintings, a testament to his sincerity and to his subject matter.

Johnson has been exhibiting his paintings extensively for years. However, he attributes his success to the experience of painting. "As I paint things over and over, the flowers, the birds, the people, I hope they get deeper and more complex as I see them better. When you paint something, you learn about it, and the more you paint, the more you look, the more you learn."

http://www.matteucci.com/contemporary-artists/douglas-johnson/?view=bio
1980
Douglas Johnson
Artist: Howard Cook
Title: Our Studio - Harwood
Date: 1927-1928
Medium: Mixed media print, drybrush on paper
Dimensions: Overall: 8 15/16 x 12 9/16 in. (22.7 x 31.9 cm) frame: 14 1/4 x 18 1/4 in. (36.2 x 46.4 cm)
Howard Cook United States (1901 - 1980)
1927-1928
Howard Cook
Artist: Doel Reed
Title: Pastorale
Date: 1955
Medium: print aquatint
Dimensions: Overall: 22 1/4 x 15 15/16 in. (56.5 x 40.5 cm)
Doel Reed United States (1894 - 1985)
Remembered as an important member of the Taos art community after 1960, Doel Reed achieved an international reputation as a landscape artist and printmaker, and as a master of aquatint. His paintings and aquatints were earth-toned and geometric in style and featured architectural forms of the New Mexico landscape.

He was born in Logansport, Indiana, and from 1924 until 1959, chaired the art department at Oklahoma State University. Then he moved to Talpa, near Taos, New Mexico where he and his family had been spending many summers and he had done and he did much sketching in Arizona and New Mexico, especially the countryside and pueblos near Talpa. His method of working was to sketch in the field and then complete the paintings in his studio.

He first pursued architecture but enjoying drawing, enrolled at the Art Academy of Cincinnati from 1916 to 1917 and 1919 to 1920. He served in World War I and was gassed and temporarily blinded. After months in base hospitals in France, he returned to the Art Academy and became interested in graphics. However, in those days, there were few schools specializing in that subject, so he was largely self taught. In 1952, he was elected to the National Academy of Design.

He wrote a book, Doel Reed Makes an Aquatint, published 1965, and known for oils and caseins, he earned much fame from his aquatints.

An article titled 'Doel Reed Haunted by Nature's Moods', by M.J. Van Deventer, was in Southwest Art, August 1985 (p 58)


Source:

Dean Porter and Teresa Ebie, Taos Artists and Their Patrons
Peggy and Harold Samuels, The Illustrated Biographical Encylopedia of Artists of the American West

His historic Taos studio has been created as the Doel Reed Center
http://drca.okstate.edu/doel-reed-bio
1955
Doel Reed
Title: Phil Crazybull, Corrales, New Mexico
Date: 2003
Medium: Toned silver gelatin print photo
Dimensions: Overall: 17 1/2 in. x 22 3/4 in.
2003
Artist: Andrew Dasburg
Title: Picuris
Date: 1948
Medium: Ink
Dimensions: Overall: 16 15/16 x 17 11/16 in. (43 x 45 cm) Framed: 24 11/16 x 29 3/16 in. (62.7 x 74.1 cm)
Andrew Dasburg (1887-1979)
1948
Andrew Dasburg
Artist: Ginger Mongiello
Title: Points of Entry
Date: 1984
Medium: Pastel and pencil
Dimensions: Overall: 22 1/16 x 22 1/16 in. (56 x 56 cm)
Ginger Mongiello (b. 1948)
1984
Ginger Mongiello