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Early 20th Century and Taos Society of Artists Learn More

By 1912, Blumenschein, Oscar E. Berninghaus, E. Irving Couse, W. Herbert 'Buck' Dunton, and Joseph Sharp had arrived in Taos. These five plus Phillips shared a strong attraction to Taos and formalized their relationship by creating the Taos Society of Artists, which existed from 1915 to 1927. The Society sent traveling shows of its Members' works throughout the country. The images they created, frequently of American Indians in traditional garb, northern New Mexico Hispanos and old-timer Anglo-Americans, as well as landscapes, came to define the first decades of the art colony.

Wikipedia: https://en.wikipedia.org/wiki/Taos_Society_of_Artists

Artist: E. Martin Hennings
Title: Baumgarten Twins
Date: 1923
Medium: Oil on board
Dimensions: Overall: 14 3/16 x 14 3/16 in. (36 x 36 cm) frame: 19 5/16 x 19 5/16 in. (49.1 x 49.1 cm)
E. Martin Hennings (1886-1956)
1923
E. Martin Hennings
Artist: Victor Higgins
Title: Canyon Landscapes
Date: c. 1932
Medium: Watercolor on paper
Dimensions: Overall: 17 11/16 x 21 5/8 in. (45 x 55 cm) frame: 24 1/4 x 30 1/4 in. (61.6 x 76.8 cm)
Victor Higgins (1884-1949)
c. 1932
Victor Higgins
Artist: E. Martin Hennings
Title: Chamisa in Bloom
Date: c. 1920
Medium: Oil painting
Dimensions: Overall: 30 x 36 1/4 in. (76.2 x 92 cm)
E. Martin Hennings (1886-1956)
c. 1920
E. Martin Hennings
Artist: Joseph Henry Sharp
Title: Chant To The Warbonnet
Date: c. 1920
Medium: Oil on canvas
Dimensions: Overall: 25 x 30 1/8 in. (63.5 x 76.5 cm) frame: 29 5/8 x 34 5/8 in. (75.2 x 87.9 cm)
Joseph Henry Sharp (1859-1953)
c. 1920
Joseph Henry Sharp
Artist: Ernest L. Blumenschein
Title: Deserted Mining Camp
Date: c.1940
Medium: oil painting, canvas
Dimensions: Overall: 27 1/16 x 33 1/4 in. (68.7 x 84.5 cm)
Ernest L. Blumenschein (1874-1960)
Ernest Blumenschein, American artist, was a colorful and controversial figure whose character was marked by fierce determination. A supporter of Post-Impressionism, Ernest Blumenschein’s own style is marked by the use of deep, rich colors and a strict sense of spatial geometry and rhythm. Possibly the most complex and least understood member of the TaosSociety, Ernest L Blumenschein’s southwestern pictures were born of the artist’s interest in formal integrity and harmony rather than a desire to accurately portray pueblo culture.

Similar to several of his later Taos colleagues, Ernest Blumenschein was of modest Midwesterner beginnings. He was born inPittsburgh, PA and earned a scholarship to study at the Cincinnati College of Music after graduating from high school. He took an illustration class at the Cincinnati Art Academy and decided to pursue a career in the visual arts. In 1892, he moved to New York to study at the Art Students League. He soon became convinced that European study was necessary to establish himself as a professional artist and enrolled at the Academie Julian in Paris, where he became acquainted with Bert Phillips and J.H. Sharp. Sharp regaled the younger artists with tales of his 1893 visit to Taos.

Upon his return from Paris in 1896, Blumenschein worked as an illustrator in New York, where he shared a studio with Phillips. After and assignment that took him to Arizona and New Mexico, Blumenschein went west with Phillips in 1898. When a broken wagon wheel landed the artists in the nearby town of Taos, Phillips decided he had reached the end of his journey.

Blumenschein stayed in Taos for 3 months returning to his lucrative illustration career in New York and eventually to Paris for further study at the Academie Julian in 1899. During his stay in New York he met Mary Green and married her. She was an established artist whose work was often featured in the annual Salon.


After their return to New York in 1909, the couple worked as an illustration team and Blumenschein taught at the Art Students League. He began to spend his summers in Taos, New Mexico, and settled there permanently in 1919. https://sites.google.com/site/parsonsartists/home/ernest-l-blumenschein

c.1940
Ernest L. Blumenschein
Artist: E. Martin Hennings
Title: Discussing The Crops
Date: n.d.
Medium: Oil painting on board
Dimensions: Overall: 13 15/16 x 14 1/16 in. (35.4 x 35.7 cm) Framed: 20 1/8 x 20 1/16 in. (51.1 x 51 cm)
E. Martin Hennings (1886-1956)
n.d.
E. Martin Hennings
Artist: Victor Higgins
Title: Fish Ponds
Date: c. 1930
Medium: Watercolor on paper
Dimensions: Overall: 14 15/16 x 22 1/16 in. (38 x 56 cm) frame: 23 3/4 x 31 in. (60.3 x 78.7 cm)
Victor Higgins (1884-1949)
c. 1930
Victor Higgins
Artist: W. Herbert "Buck" Dunton
Title: Ginger
Date: c. 1932
Medium: Oil painting
Dimensions: Overall: 50 13/16 x 33 7/8 in. (129 x 86 cm)
W. Herbert "Buck" Dunton United States (1878-1936)
http://www.buckdunton.com/
c. 1932
W. Herbert "Buck" Dunton
Artist: Burt Harwood
Title: Indian Interior
Date: 1921
Medium: Oil painting
Dimensions: Overall: 32 1/16 x 39 15/16 in. (81.5 x 101.5 cm)
Burt Harwood (1857-1922)
1921
Burt Harwood
Artist: Burt Harwood
Title: Katchinas
Date: 1921
Medium: Oil painting
Dimensions: Overall: 20 11/16 x 14 9/16 in. (52.5 x 37 cm)
Burt Harwood (1857-1922)
1921
Burt Harwood