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Native American

Sorted AscendingTitleDateArtistClassificationDimensions
Two Gossips1979R.C. Gorman
R.C. Gorman (1932 - 2005)
print Overall: 18 x 15 in. (45.7 x 38.1 cm)
Uncle Ralph2006John Suazo
John Suazo (c. 1951)
sculpture Overall: 28 x 14 x 8 in. (71.1 x 35.6 x 20.3 cm)
Unititled (Navajo Boy With Burro)Harrison Begay
Harrison Begay Navajo (Navajo, 1917 - 2012)
Harrison Begay (Haashké yah Níyá, "Warrior Who Walked Up to His Enemy") (November 15, 1917 – August 18, 2012) was a renowned Navajo painter, perhaps the most famous of his generation. Begay specialized in watercolors and silkscreen prints. He was the last living former student of Dorothy Dunn at the Santa Fe Indian School. His work won multiple awards and is exhibited in museums and private collections worldwide.

Harrison Begay was born on 15 November 1917, although his birth year has also been record as 1914, at White Cone, near Greasewood, Arizona on the Navajo Nation, to Black Rock and Zonnie Tachinie Begay. His mother belonged to the Zuni White Corn Clan, and his father was Walk Around Clan / Near Water Clan. Young Harrison herded his family's flock of sheep near Greasewood, where he lived most of his life.
In 1933, he entered the Santa Fe Indian School to study art under Dorothy Dunn in her new Studio School. His classmates included Gerald Nailor, Quincy Tahoma, Geronima Montoya and Andrew Tsihnahjinnie. Begay learned Dunn's characteristic "Studio Style" or "flat-style painting"; in her book American Indian Painting of the Southwest and Plains Areas, Dunn described Begay's work as "at once decorative and lifelike, his color clear in hue and even in value, his figures placid yet inwardly animated.... [H]e seemed to be inexhaustibly resourceful in a quiet reticent way."
In 1940, Begay attended Black Mountain College in North Carolina, to study architecture for one year. In 1941, he enrolled in Phoenix College in Arizona. From 1942 to 1945, Begay served in the US Army Signal Corps.
Begay returned to the Navajo reservation in 1947 and made his living as a painter ever since. Begay continued to paint in the flat, "Studio style" throughout his long career – he was still painting (in acrylics) in 2004, at age 90.
His work has been included in a vast number of public and private collections of Native American art, including the Museum of the American Indian, the Museum of Modern Art, the Museum of Northern Arizona, the Heard Museum, the Museum of Indian Arts and Culture, the Wheelwright Museum, the Southwest Museum, the Philbrook Museum, the Gilcrease Museum, and many more.
Begay won two grand awards at the Gallup Intertribal Ceremonial[8] and has been a consistent winner at state and tribal fairs. In 1954, he was awarded the French Ordre des Palmes Académiques. In 1995, he was awarded the Native American Masters Award by the Heard Museum. In 2003, he won the Lifetime Achievement Award from the Southwestern Association for Indian Arts, the organizers of the annual Santa Fe Indian Market.
Begay painted scenes from traditional Navajo life, showing the beauty of a "timeless, peaceful and gentle world". "Although his prodigious output included facile minor works tending towards sentimentality, his major work is characterized by inventiveness, originality, refinement and delicacy." His most familiar subjects are Navajo people in ceremonial and daily life, horses and riders, and deer.
Begay's work was featured in publications such as Enduring Tradition: Art of the Navajos, by Lois and Jerry Jacka; Southwest Indian Painting, by Clara Lee Tanner; and When the Rainbow Touches Down, by Tryntje Van Ness Seymour.
Begay was named a "Living Legend" in 1990 by Indian Art Historian Ralph Oliver, per "Biographical Directory of Native American Painters."
Harrison Begay died on 18 August 2012 in Gilbert, Arizona at the age of 94, and he was buried in the Fort Defiance Veterans Cemetery.

https://en.wikipedia.org/wiki/Harrison_Begay
print Overall: 10 x 10 in. (25.4 x 25.4 cm)
untitledc. 1935Juan Mirabal
Juan Mirabal
painting
Untitled2003Tony Abeyta
Tony Abeyta Navajo (Navajo, born 1965)
Tony Abeyta is considered one of the finest young contemporary painters today. Abeyta explores a variety of mediums including oil, charcoal, and sand. Because he experiments with techniques and images so much, his creativity transcends any label that may be used to identify his work. Abeyta was commissioned to create the signature image of the National Museum of the American Indians groundbreaking opening in Washington, DC. Many of Abeyta's highly original works are depictions of complex Navajo beliefs; they evoke the notion that there is power in everyone and everything. Avid collectors will consider their Abeyta piece to be a gift from a higher power. (Artist's Biography. 2010. Blue Rain Gallery. http://blueraingallery.com/artists/tony_abeyta/)
painting canvas: 71 3/4 x 48 in. (182.3 x 121.9 cm)
UntitledHarrison Begay
Harrison Begay Navajo (Navajo, 1917 - 2012)
Harrison Begay (Haashké yah Níyá, "Warrior Who Walked Up to His Enemy") (November 15, 1917 – August 18, 2012) was a renowned Navajo painter, perhaps the most famous of his generation. Begay specialized in watercolors and silkscreen prints. He was the last living former student of Dorothy Dunn at the Santa Fe Indian School. His work won multiple awards and is exhibited in museums and private collections worldwide.

Harrison Begay was born on 15 November 1917, although his birth year has also been record as 1914, at White Cone, near Greasewood, Arizona on the Navajo Nation, to Black Rock and Zonnie Tachinie Begay. His mother belonged to the Zuni White Corn Clan, and his father was Walk Around Clan / Near Water Clan. Young Harrison herded his family's flock of sheep near Greasewood, where he lived most of his life.
In 1933, he entered the Santa Fe Indian School to study art under Dorothy Dunn in her new Studio School. His classmates included Gerald Nailor, Quincy Tahoma, Geronima Montoya and Andrew Tsihnahjinnie. Begay learned Dunn's characteristic "Studio Style" or "flat-style painting"; in her book American Indian Painting of the Southwest and Plains Areas, Dunn described Begay's work as "at once decorative and lifelike, his color clear in hue and even in value, his figures placid yet inwardly animated.... [H]e seemed to be inexhaustibly resourceful in a quiet reticent way."
In 1940, Begay attended Black Mountain College in North Carolina, to study architecture for one year. In 1941, he enrolled in Phoenix College in Arizona. From 1942 to 1945, Begay served in the US Army Signal Corps.
Begay returned to the Navajo reservation in 1947 and made his living as a painter ever since. Begay continued to paint in the flat, "Studio style" throughout his long career – he was still painting (in acrylics) in 2004, at age 90.
His work has been included in a vast number of public and private collections of Native American art, including the Museum of the American Indian, the Museum of Modern Art, the Museum of Northern Arizona, the Heard Museum, the Museum of Indian Arts and Culture, the Wheelwright Museum, the Southwest Museum, the Philbrook Museum, the Gilcrease Museum, and many more.
Begay won two grand awards at the Gallup Intertribal Ceremonial[8] and has been a consistent winner at state and tribal fairs. In 1954, he was awarded the French Ordre des Palmes Académiques. In 1995, he was awarded the Native American Masters Award by the Heard Museum. In 2003, he won the Lifetime Achievement Award from the Southwestern Association for Indian Arts, the organizers of the annual Santa Fe Indian Market.
Begay painted scenes from traditional Navajo life, showing the beauty of a "timeless, peaceful and gentle world". "Although his prodigious output included facile minor works tending towards sentimentality, his major work is characterized by inventiveness, originality, refinement and delicacy." His most familiar subjects are Navajo people in ceremonial and daily life, horses and riders, and deer.
Begay's work was featured in publications such as Enduring Tradition: Art of the Navajos, by Lois and Jerry Jacka; Southwest Indian Painting, by Clara Lee Tanner; and When the Rainbow Touches Down, by Tryntje Van Ness Seymour.
Begay was named a "Living Legend" in 1990 by Indian Art Historian Ralph Oliver, per "Biographical Directory of Native American Painters."
Harrison Begay died on 18 August 2012 in Gilbert, Arizona at the age of 94, and he was buried in the Fort Defiance Veterans Cemetery.

https://en.wikipedia.org/wiki/Harrison_Begay
print Overall: 18 x 21 in. (45.7 x 53.3 cm)
Untitled (clown dancer)c. 1960J.D. Roybal
J.D. Roybal San Illdefonso Pueblo (San Illdefonso Pueblo, 1922 - 1978)
José Disiderio (J.D.) Roybal, whose Tewa name was Oquwa (Rain God), was a well-known painter from San Ildefonso Pueblo. He was born on November 7, 1922 at San Ildefonso, the son of Tonita and Juan Cruz Roybal. He passed away June 28, 1978. He was a nephew of Alfonso Roybal (Awa Tsireh).

He did a bit of painting in the 1930s but was not very productive until the 1950s. He was most productive in the 1960-1970 decade. His most popular subject matter was his rendition of the Tewa Clowns known as Koshare or Koosa. Often he presented them in a jovial manner.

He used water-based paints throughout his career. His excellent detail in small paintings never went unnoticed. In his work there prevails fine color, excellent detail, small and fine outlines, gesturing figures, and a pleasing combination of heavy conventional themes with realistic subjects.

http://www.adobegallery.com/artist/J_D_Roybal_1922_19781791967
print Overall: 6 x 5 1/4 in. (15.2 x 13.3 cm)
Untitled (Roadrunner with Ye Figures)Harrison Begay
Harrison Begay Navajo (Navajo, 1917 - 2012)
Harrison Begay (Haashké yah Níyá, "Warrior Who Walked Up to His Enemy") (November 15, 1917 – August 18, 2012) was a renowned Navajo painter, perhaps the most famous of his generation. Begay specialized in watercolors and silkscreen prints. He was the last living former student of Dorothy Dunn at the Santa Fe Indian School. His work won multiple awards and is exhibited in museums and private collections worldwide.

Harrison Begay was born on 15 November 1917, although his birth year has also been record as 1914, at White Cone, near Greasewood, Arizona on the Navajo Nation, to Black Rock and Zonnie Tachinie Begay. His mother belonged to the Zuni White Corn Clan, and his father was Walk Around Clan / Near Water Clan. Young Harrison herded his family's flock of sheep near Greasewood, where he lived most of his life.
In 1933, he entered the Santa Fe Indian School to study art under Dorothy Dunn in her new Studio School. His classmates included Gerald Nailor, Quincy Tahoma, Geronima Montoya and Andrew Tsihnahjinnie. Begay learned Dunn's characteristic "Studio Style" or "flat-style painting"; in her book American Indian Painting of the Southwest and Plains Areas, Dunn described Begay's work as "at once decorative and lifelike, his color clear in hue and even in value, his figures placid yet inwardly animated.... [H]e seemed to be inexhaustibly resourceful in a quiet reticent way."
In 1940, Begay attended Black Mountain College in North Carolina, to study architecture for one year. In 1941, he enrolled in Phoenix College in Arizona. From 1942 to 1945, Begay served in the US Army Signal Corps.
Begay returned to the Navajo reservation in 1947 and made his living as a painter ever since. Begay continued to paint in the flat, "Studio style" throughout his long career – he was still painting (in acrylics) in 2004, at age 90.
His work has been included in a vast number of public and private collections of Native American art, including the Museum of the American Indian, the Museum of Modern Art, the Museum of Northern Arizona, the Heard Museum, the Museum of Indian Arts and Culture, the Wheelwright Museum, the Southwest Museum, the Philbrook Museum, the Gilcrease Museum, and many more.
Begay won two grand awards at the Gallup Intertribal Ceremonial[8] and has been a consistent winner at state and tribal fairs. In 1954, he was awarded the French Ordre des Palmes Académiques. In 1995, he was awarded the Native American Masters Award by the Heard Museum. In 2003, he won the Lifetime Achievement Award from the Southwestern Association for Indian Arts, the organizers of the annual Santa Fe Indian Market.
Begay painted scenes from traditional Navajo life, showing the beauty of a "timeless, peaceful and gentle world". "Although his prodigious output included facile minor works tending towards sentimentality, his major work is characterized by inventiveness, originality, refinement and delicacy." His most familiar subjects are Navajo people in ceremonial and daily life, horses and riders, and deer.
Begay's work was featured in publications such as Enduring Tradition: Art of the Navajos, by Lois and Jerry Jacka; Southwest Indian Painting, by Clara Lee Tanner; and When the Rainbow Touches Down, by Tryntje Van Ness Seymour.
Begay was named a "Living Legend" in 1990 by Indian Art Historian Ralph Oliver, per "Biographical Directory of Native American Painters."
Harrison Begay died on 18 August 2012 in Gilbert, Arizona at the age of 94, and he was buried in the Fort Defiance Veterans Cemetery.

https://en.wikipedia.org/wiki/Harrison_Begay
print Overall: 10 x 10 in. (25.4 x 25.4 cm)
Untitled (Two Deer Running)Harrison Begay
Harrison Begay Navajo (Navajo, 1917 - 2012)
Harrison Begay (Haashké yah Níyá, "Warrior Who Walked Up to His Enemy") (November 15, 1917 – August 18, 2012) was a renowned Navajo painter, perhaps the most famous of his generation. Begay specialized in watercolors and silkscreen prints. He was the last living former student of Dorothy Dunn at the Santa Fe Indian School. His work won multiple awards and is exhibited in museums and private collections worldwide.

Harrison Begay was born on 15 November 1917, although his birth year has also been record as 1914, at White Cone, near Greasewood, Arizona on the Navajo Nation, to Black Rock and Zonnie Tachinie Begay. His mother belonged to the Zuni White Corn Clan, and his father was Walk Around Clan / Near Water Clan. Young Harrison herded his family's flock of sheep near Greasewood, where he lived most of his life.
In 1933, he entered the Santa Fe Indian School to study art under Dorothy Dunn in her new Studio School. His classmates included Gerald Nailor, Quincy Tahoma, Geronima Montoya and Andrew Tsihnahjinnie. Begay learned Dunn's characteristic "Studio Style" or "flat-style painting"; in her book American Indian Painting of the Southwest and Plains Areas, Dunn described Begay's work as "at once decorative and lifelike, his color clear in hue and even in value, his figures placid yet inwardly animated.... [H]e seemed to be inexhaustibly resourceful in a quiet reticent way."
In 1940, Begay attended Black Mountain College in North Carolina, to study architecture for one year. In 1941, he enrolled in Phoenix College in Arizona. From 1942 to 1945, Begay served in the US Army Signal Corps.
Begay returned to the Navajo reservation in 1947 and made his living as a painter ever since. Begay continued to paint in the flat, "Studio style" throughout his long career – he was still painting (in acrylics) in 2004, at age 90.
His work has been included in a vast number of public and private collections of Native American art, including the Museum of the American Indian, the Museum of Modern Art, the Museum of Northern Arizona, the Heard Museum, the Museum of Indian Arts and Culture, the Wheelwright Museum, the Southwest Museum, the Philbrook Museum, the Gilcrease Museum, and many more.
Begay won two grand awards at the Gallup Intertribal Ceremonial[8] and has been a consistent winner at state and tribal fairs. In 1954, he was awarded the French Ordre des Palmes Académiques. In 1995, he was awarded the Native American Masters Award by the Heard Museum. In 2003, he won the Lifetime Achievement Award from the Southwestern Association for Indian Arts, the organizers of the annual Santa Fe Indian Market.
Begay painted scenes from traditional Navajo life, showing the beauty of a "timeless, peaceful and gentle world". "Although his prodigious output included facile minor works tending towards sentimentality, his major work is characterized by inventiveness, originality, refinement and delicacy." His most familiar subjects are Navajo people in ceremonial and daily life, horses and riders, and deer.
Begay's work was featured in publications such as Enduring Tradition: Art of the Navajos, by Lois and Jerry Jacka; Southwest Indian Painting, by Clara Lee Tanner; and When the Rainbow Touches Down, by Tryntje Van Ness Seymour.
Begay was named a "Living Legend" in 1990 by Indian Art Historian Ralph Oliver, per "Biographical Directory of Native American Painters."
Harrison Begay died on 18 August 2012 in Gilbert, Arizona at the age of 94, and he was buried in the Fort Defiance Veterans Cemetery.

https://en.wikipedia.org/wiki/Harrison_Begay
print Overall: 11 x 12 1/2 in. (27.9 x 31.8 cm)
When Harry met Sally2010Dwayne Wilcox
Dwayne Wilcox United States - Lakota (Lakota)
Dwayne Wilcox is a contemporary Lakota artist using humor to comment on culture and cultural challenges. He grew up on the east side of the Pine Ridge Reservation. His family comes from the Eagle Nest District.

Dwayne attended the Crazy Horse School in Wanblee. In his own words “I never had any real art training other than being around a lot of talented traditional artists, most of all I always liked the humor of my friends and my family. I like to reflect on some of the stories told to me by friends and the political environment that may need to be adjusted to the native point of view, this is why I draw these images and show the viewers not from my culture, there is another point of view”.

When asked why he uses the lined paper and why use humor Dwayne responds with “Beads, cloth, paper… all of which had been introduced around the same time, and it was at a period when natives of the plains were losing their homeland to new conquerors and their refusal to give up the right to be free caused many to be imprisoned. Many of the earliest ledgers were done during incarceration. Like bead work, it has become a medium for a traditional style. In the Lakota tradition there is the Sacred Clown and in drawing can reflect that humor, I see that as part of the old values of traditional life ways.”
Dwayne currently lives in Rapid City, SD.

http://jwillis.net/artist-statement-dwayne-wilcox/
drawing sheet: 11 3/4 × 18 in. (29.8 × 45.7 cm)