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Artist: Kevin Cannon
Title: "Ships Slipper" or "Slipper Ship"
Date: 1983
Medium: painted and dyed leather
Dimensions: 5 1/4" x 6 3/4" x 5" D
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1983
Kevin Cannon
Artist: Kevin Cannon
Title: Drawing for Potato Wrestler
Date: 1986
Medium: graphite on paper
Dimensions: 11" H x8 1/2" W
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1986
Kevin Cannon
Artist: Kevin Cannon
Title: Fish Box
Date: 1984
Medium: drawing graphite and acrylic/paper
Dimensions: Overall: 8 3/8 x 11 in. (21.2 x 27.9 cm) Framed: 11 5/8 x 14 5/8 x 13/16 in. (29.5 x 37.2 x 2 cm)
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1984
Kevin Cannon
Artist: Kevin Cannon
Title: Handless
Date: 1996
Medium: Leather
Dimensions: 6" H x 4 1/4" W x 4 1/4"D
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1996
Kevin Cannon
Artist: Kevin Cannon
Title: Irish Ocher
Date: 1989
Medium: painted leather
Dimensions: 11"H x 8.5" W x 8
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1989
Kevin Cannon
Artist: Kevin Cannon
Title: Overflow
Date: c.1980
Medium: acrylic on leather
Dimensions: object: 12 3/8 x 4 x 2 in. (31.4 x 10.2 x 5.1 cm)
Media File
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
c.1980
Kevin Cannon
Artist: Kevin Cannon
Title: Pins
Date: 1996
Medium: painted leather
Dimensions: 15 1/2" x 26"x 14"
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1996
Kevin Cannon
Artist: Kevin Cannon
Title: Reverse Tetra Maquette
Date: 1994
Medium: painted leather
Dimensions: 3 3/4" x 4"W x 3 3/4" D
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1994
Kevin Cannon
Artist: Kevin Cannon
Title: Split and Bind
Date: 1990
Medium: Leather
Dimensions: 13"H x 6 1/2 "W x 6" D
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1990
Kevin Cannon
Artist: Kevin Cannon
Title: Still Life of Fruit
Date: c 1980's
Medium: pencil drawing
Dimensions: 8 7/16 x 11"
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
c 1980's
Kevin Cannon
Artist: Kevin Cannon
Title: Untitled
Date: 1985
Medium: Graphite
Dimensions: Overall: 11 x 8 7/16 in. (28 x 21.4 cm)
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1985
Kevin Cannon
Artist: Kevin Cannon
Title: Untitled
Date: 1994
Medium: Graphite
Dimensions: image: 8 1/2 x 10 7/8 in. (21.6 x 27.6 cm)
Kevin Cannon United States (b. 1948)
http://www.kevincannon.com/bio.html
and
Originally from New York, the artist studied art and music at City College of New York before traveling in Europe, Spain and Morocco. He then worked with a group of craftsmen in New York where his continued exploration in leather as a material lead him to pursue harness-and-saddle in the early 1970’s and inspired him to head West.
It was in 1978 that Kevin Cannon found his way to Taos, New Mexico. There he developed an interest in ceramics while working as assistant to the renowned West Coast ceramist and printmaker, Ken Price. The hand-sewn leather objects he had been crafting became small box/objects beautifully made, with colored interiors and handles.
After moving to back New York City in 1983 the artist had several gallery shows of his small scale geometric "figures" made from molding wet leather around a wooden form. Finely crafted, the burnished and polished leather has the appearance of ceramics or wood, even bronze, and invites close scrutiny and wonder. During this time he was an NEA recipient and continued to exhibit the work in New York City, Los Angeles,
San Francisco, Atlanta, Chicago and Houston as the scale became larger and the surfaces more intriguing. In 1990 he returned to Taos where he now lives and works.
In 1996 independent curator Jan Adlmann included Kevin Cannon’s work in the show, "Contemporary Art In New Mexico", at SITE Santa Fe. Cannon’s work can be found in the permanent collections of the Brooklyn Museum, the Harwood Museum in Taos, and the Albuquerque Museum, to name a few.

Citation: http://www. www.artnet.com
1994
Kevin Cannon