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The 1940s was an important transition period for the Taos art community. A group of modernist artists arrived who would set a new artistic course for a generation. Following World War II, Taos became an important crossroads in contemporary American art, a place where the influences of European and American modernism came together. Artists from New York and San Francisco, the cradles of post-war abstract painting, found in Taos a conducive place to work devoid of the distractions of the big cities. Many of the modernist artists arrived in Taos with little if any knowledge of the earlier artists, as if inexplicably drawn to the Town's inherently creative atmosphere. Many came to study under the G.I. bill.

Joining Andrew Dasburg as mentor to these new artists in 1939 was Thomas Benrimo, another early American modernist. New York artist Louis Ribak arrived in Taos in 1944 with his wife, painter Beatrice Mandelman, and emerged as a leader of the younger generation. Agnes Martin, now an internationally acclaimed artist came to Taos a few years later as a student with the University of New Mexico's summer Field School of Art. In the early 1950s, Clay Spohn, an abstract expressionist, and Edward Corbett, an artist with a growing reputation as a modernist, arrived from San Francisco. Their colleague, Richard Diebenkorn, although not a Taos resident, showed at the Town's premier art gallery, Galeria Escondida, as well as the University of New Mexico in Albuquerque where he received a Masters Degree in Art in 1951. In the same way that the Taos Art Colony in earlier decades attracted other artists to the area, these new artists were visited by their friends and associates, including such major figures as Mark Rothko, Ad Reinhardt, Clyfford Still and Morris Graves.

The influx of dozens of artists by the 1950s had established Taos as one of the centers of modernist artistic activity in the United States. In the middle part of the decade, a number of them began showing together in art galleries and museums and were collectively known as the Taos Moderns. Although they never created a formal group such as the Taos Society of Artists had done, they changed the artistic direction of the community.

Their paintings were either abstract, using subject matter, or non-objective compositions of pure form. The stark New Mexico landscape brightened their palettes just as it had that of earlier artists. Cultural influences continued to be important as well. The timelessness they perceived in Pueblo Indian culture and the deep connection to the land they noted in the everyday life of both Indians and Hispanics influence experimentation and innovation in their own art.

If there was any one guiding philosophy during this period, it was a commitment by artists to seek 'the new' in their visual imagery. Many of them were not content with depicting the surface beauty of the landscape or the figurative portraits done by earlier artists. Instead, they wanted to capture the underlying structure of a subject to reveal its true meaning.

Artist: Ronald Davis
Title: Hawthorn
Date: 1963
Medium: Oil on canvas
Media File
Ronald Davis (b. 1937)
1963
Ronald Davis
Artist: Clay Spohn
Title: Impressions of a Landscape
Date: 1950s
Medium: Oil painting
Dimensions: Overall: 21 15/16 x 27 7/8 in. (55.7 x 70.8 cm)
Clay Spohn (1898-1977)
1950s
Clay Spohn
Artist: Clay Spohn
Title: Landscape
Date: n.d.
Medium: painting oil/masonite
Dimensions: panel: 15 x 12 in. (38.1 x 30.5 cm)
Media File
Clay Spohn (1898-1977)
n.d.
Clay Spohn
Artist: Ted Egri
Title: Mountain Moods
Date: 1954
Medium: Oil painting
Dimensions: Overall: 23 11/16 x 30 1/8 in. (60.1 x 76.5 cm) frame: 36 x 30 in. (91.4 x 76.2 cm)
Ted Egri (1913-2010)
1954
Ted Egri
Artist: Clay Spohn
Title: Mystery of Symbols - or Secrets of Isis
Date: 1952
Medium: Oil on canvas
Dimensions: Overall: 26 3/16 x 31 7/8 in. (66.5 x 81 cm)
Clay Spohn (1898-1977)
1952
Clay Spohn
Artist: Howard Cook
Title: Our Studio - Harwood
Date: 1927-1928
Medium: mixed media print
Dimensions: Overall: 8 15/16 x 12 9/16 in. (22.7 x 31.9 cm) frame: 14 1/4 x 18 1/4 in. (36.2 x 46.4 cm)
Howard Cook United States (United States, 1901 - 1980)
1927-1928
Howard Cook
Artist: Louis Ribak
Title: Portrait of Bea Mandelman
Date: c. 1944
Medium: Oil on canvas
Dimensions: Overall: 29 x 24 1/2 in. (73.7 x 62.2 cm)
Louis Ribak (1903-1979)
c. 1944
Louis Ribak
Artist: Robert D. Ray
Title: Portrait of The Honorable Dorothy Brett
Date: 1956
Medium: Oil painting, canvas
Dimensions: Overall: 60 1/4 x 31 7/8 in. (153 x 81 cm) frame: 61 x 32 1/2 in. (154.9 x 82.6 cm)
Robert D. Ray (1924 - 2002)
Dates in Taos: 1954
1956
Robert D. Ray
Artist: Marsden Hartley
Title: Rio Grande River, New Mexico
Date: 1919
Medium: Pastel on paper
Dimensions: support: 17 1/2 x 27 3/4 in. (44.5 x 70.5 cm) frame: 25 3/16 x 35 1/2 x 1 3/4 in. (64 x 90.2 x 4.5 cm)
Marsden Hartley (1877-1943)
1919
Marsden Hartley
Artist: Ted Egri
Title: Struggle
Date: 1951
Medium: wood carving, walnut
Ted Egri (1913-2010)
1951
Ted Egri